Kodak TRI-X 400 BW Film Sample Photos

16 de septiembre de 2026

Looking for Kodak Tri-X 400 sample photos — and for portraits on film with real analog film grain and tonal depth, not clinical, over-sharpened DSLR digital portraits? These frames show Tri-X’s organic texture and timeless character across three cameras: a Zeiss Super Ikonta 531 (120, 6×4.5), an Olympus XA (35mm), and square 6×6 portraits on a Hasselblad 500CM with Kodak Tri-X 400 120. ArtByPino showcases this analog look for clients who want portraits on film.

The first roll was shot on 120 with the Zeiss Super Ikonta 531 at Centro de Congresos de Querétaro in Santiago de Querétaro — lobby behind the cable-net glass facade, angular and twisted structural columns, El Bumeráng by Manuel Felguérez on the terrace, and a plaza kiosk. Developed in standard black-and-white chemistry.

A second roll was shot on an Olympus XA (35mm) in Santiago de Querétaro — the twin towers of Templo de la Congregación (La Congregación), the baroque cloister at Museo de Arte de Querétaro (MAQRO, the former Convento de San Agustín), and the exterior of Centro de Congresos de Querétaro.

Available in our shop: Kodak Tri-X 400 (35mm · 120 · 120 5-pack) →

Lobby of Centro de Congresos de Querétaro with cable-net glass facade and reception desk, shot on Kodak Tri-X 400 120 film, developed in standard black-and-white chemistry — Lobby of Centro de Congresos de Querétaro — Kodak Tri-X 400 120, Zeiss Super Ikonta 531

Plaza kiosk with benches, trees, and a lamp in Santiago de Querétaro, shot on Kodak Tri-X 400 120 film, developed in standard black-and-white chemistry — Plaza kiosk in Santiago de Querétaro — Kodak Tri-X 400 120, Zeiss Super Ikonta 531

Exterior angular white columns at Centro de Congresos de Querétaro with people walking toward the parking lot, shot on Kodak Tri-X 400 120 film, developed in standard black-and-white chemistry — Angular columns at Centro de Congresos de Querétaro — Kodak Tri-X 400 120, Zeiss Super Ikonta 531

El Bumeráng by Manuel Felguérez on the terrace of Centro de Congresos de Querétaro, shot on Kodak Tri-X 400 120 film, developed in standard black-and-white chemistry — El Bumeráng by Manuel Felguérez, Centro de Congresos de Querétaro — Kodak Tri-X 400 120, Zeiss Super Ikonta 531

Twisted ladder structural columns and glass facade at Centro de Congresos de Querétaro, shot on Kodak Tri-X 400 120 film, developed in standard black-and-white chemistry — Twisted columns at Centro de Congresos de Querétaro — Kodak Tri-X 400 120, Zeiss Super Ikonta 531

Olympus XA — Santiago de Querétaro

Twin bell towers and the Virgin of Guadalupe in a balcony niche at Templo de la Congregación (La Congregación / Templo de San Felipe Neri), Santiago de Querétaro, shot on Kodak Tri-X 400 35mm film, developed in standard black-and-white chemistry — Templo de la Congregación, Santiago de Querétaro — Olympus XA, Kodak Tri-X 400

Courtyard with potted yuccas, a barred window, and bicycles under an awning, historic center of Santiago de Querétaro, shot on Kodak Tri-X 400 35mm film, developed in standard black-and-white chemistry — Courtyard with yuccas and bicycles, Santiago de Querétaro — Olympus XA, Kodak Tri-X 400

Plaza fountain with a robed statue on a fluted Ionic column, historic center of Santiago de Querétaro, shot on Kodak Tri-X 400 35mm film, developed in standard black-and-white chemistry — Plaza fountain with an Ionic-column statue, Santiago de Querétaro — Olympus XA, Kodak Tri-X 400

Wedding dress on a headless mannequin in a stone doorway, historic center of Santiago de Querétaro, shot on Kodak Tri-X 400 35mm film, developed in standard black-and-white chemistry — Wedding dress in a stone doorway, Santiago de Querétaro — Olympus XA, Kodak Tri-X 400

Cloister corridor with flower ceiling medallions at the Museo de Arte de Querétaro (MAQRO), former Convento de San Agustín, Santiago de Querétaro, shot on Kodak Tri-X 400 35mm film, developed in standard black-and-white chemistry — Cloister corridor, Museo de Arte de Querétaro (MAQRO) — Olympus XA, Kodak Tri-X 400

Hilltop circular fountain basins overlooking the city of Santiago de Querétaro, shot on Kodak Tri-X 400 35mm film, developed in standard black-and-white chemistry — Hilltop fountain basins overlooking Santiago de Querétaro — Olympus XA, Kodak Tri-X 400

Ornate two-story baroque cloister and fountain at the Museo de Arte de Querétaro (MAQRO), former Convento de San Agustín, Santiago de Querétaro, shot on Kodak Tri-X 400 35mm film, developed in standard black-and-white chemistry — Baroque cloister and fountain, Museo de Arte de Querétaro (MAQRO) — Olympus XA, Kodak Tri-X 400

Ornate cloister seen through an arch, with ferns in pots, at the Museo de Arte de Querétaro (MAQRO), former Convento de San Agustín, Santiago de Querétaro, shot on Kodak Tri-X 400 35mm film, developed in standard black-and-white chemistry — Cloister through an arch, Museo de Arte de Querétaro (MAQRO) — Olympus XA, Kodak Tri-X 400

Angular concrete and glass exterior of Centro de Congresos de Querétaro, shot on Kodak Tri-X 400 35mm film, developed in standard black-and-white chemistry — Centro de Congresos de Querétaro — Olympus XA, Kodak Tri-X 400

Hasselblad 500CM — Portraits on Tri-X 400 120

These square 6×6 portraits were shot on Kodak Tri-X 400 120 with a Hasselblad 500CM — the medium-format grain, soft tonal transitions, and character that set portraits on film apart from sharp digital headshots. Developed in standard black-and-white chemistry.

Portrait on film of young woman in a distressed denim jacket posing beside a vintage Ford, looking toward the camera shot on Kodak Tri-X 400 120 film, developed in standard black-and-white chemistry — Portrait with a vintage Ford — Kodak Tri-X 400 120, Hasselblad 500CM

Portrait on film of young woman in a cropped denim jacket and white miniskirt standing in front of a vintage Ford, looking away shot on Kodak Tri-X 400 120 film, developed in standard black-and-white chemistry — Looking away beside a vintage Ford — Kodak Tri-X 400 120, Hasselblad 500CM

Close-up backlit portrait on film of a young woman with long dark hair in a denim jacket, soft flare and blurred tower behind shot on Kodak Tri-X 400 120 film, developed in standard black-and-white chemistry — Backlit close-up portrait — Kodak Tri-X 400 120, Hasselblad 500CM

Backlit close-up portrait on film of a young woman with long hair and a distressed denim jacket, eyes closed against a bright background shot on Kodak Tri-X 400 120 film, developed in standard black-and-white chemistry — Backlit portrait, eyes closed — Kodak Tri-X 400 120, Hasselblad 500CM

Studio portrait on film of an elderly man in a light overcoat, dark turtleneck, and dark wide-brimmed hat against a black background shot on Kodak Tri-X 400 120 film, developed in standard black-and-white chemistry — Studio portrait in coat and hat — Kodak Tri-X 400 120, Hasselblad 500CM

Studio portrait on film of an elderly man in a white cowboy hat, patterned shirt, and light Western vest against a black background shot on Kodak Tri-X 400 120 film, developed in standard black-and-white chemistry — Western vest studio portrait — Kodak Tri-X 400 120, Hasselblad 500CM

Three-quarter studio portrait on film of an elderly man in a white cowboy hat and light Western vest over a patterned shirt shot on Kodak Tri-X 400 120 film, developed in standard black-and-white chemistry — Western vest, three-quarter pose — Kodak Tri-X 400 120, Hasselblad 500CM

Portrait on film of young woman in denim jacket, white skirt, and tall denim boots posing with a vintage Ford showing a Texas license plate, looking upward shot on Kodak Tri-X 400 120 film, developed in standard black-and-white chemistry — With a vintage Ford (Texas plate) — Kodak Tri-X 400 120, Hasselblad 500CM

Studio portrait on film of an elderly man in a light overcoat and dark turtleneck with arms crossed, dark hat brim at the top of the frame shot on Kodak Tri-X 400 120 film, developed in standard black-and-white chemistry — Arms crossed, studio coat portrait — Kodak Tri-X 400 120, Hasselblad 500CM

Elderly man in a light wool coat with arms crossed, looking aside in a high-contrast studio portrait on film shot on Kodak Tri-X 400 120 film, developed in standard black-and-white chemistry — Looking aside, arms crossed — Kodak Tri-X 400 120, Hasselblad 500CM

Portrait on film of young woman in a distressed denim jacket leaning on a vintage Ford grille, looking down shot on Kodak Tri-X 400 120 film, developed in standard black-and-white chemistry — Leaning on a vintage Ford — Kodak Tri-X 400 120, Hasselblad 500CM

Kodak Tri-X 400 shot at 200 ISO

These frames were shot on Kodak Tri-X 400 rated at ISO 200 instead of its box speed of 400.

Studded arched wooden door under a lantern beside a wrought-iron window grille on a white stucco wall — Kodak Tri-X 400 35mm, shot at 200 ISO, Leica M3

Chrome tailfin and Bel Air script on a classic Chevrolet Bel Air — Kodak Tri-X 400 35mm, shot at 200 ISO, Leica M3

Stucco garden wall with an arched iron gate, a large oak and a carved concrete bench — Kodak Tri-X 400 35mm, shot at 200 ISO, Leica M3

Chrome front bumper, grille and headlight of a classic car with the hood open — Kodak Tri-X 400 35mm, shot at 200 ISO, Leica M3

Steering wheel and dashboard of a classic Chevrolet Bel Air — Kodak Tri-X 400 35mm, shot at 200 ISO, Leica M3

Rear of a classic Chevrolet sedan with round taillights and a Texas antique-auto plate in a parking lot — Kodak Tri-X 400 35mm, shot at 200 ISO, Leica M3

Kodak Tri-X 400 is a classic ISO 400 black-and-white film. These samples mix 120 on a Zeiss Super Ikonta 531 (6×4.5) at Centro de Congresos de Querétaro, 35mm on an Olympus XA around Templo de la Congregación and Museo de Arte de Querétaro, and square 6×6 portraits on film on a Hasselblad 500CM — real analog grain and tonal depth, not clinical DSLR sharpness. A further set, shot at ISO 200, shows classic Chevrolets and stucco walls with iron gates and grilles.